#expand your head

[iamdangerace]

Lords Of Acid, Who Do You Think You Are? from Expand Your Head (1999).

[honehonn3honey]

A protection that becomes more creepy

Azul in my heart. You can see the original art here and read the monster list here @lustlovehart

[Alt under the cut]

My first concept, since my style could not simulate the texture of slime in its purest state

It is quite thick so water can not enter or wet. Only small puddles where you can accumulate

It is a monster and that, magic, but I can imagine that it can only reach a height by the pressure, it can come out expelled sometimes

[maliciousalice]

The Janeway Maneuver

[lestatthevamp]

Louis IS a liar. Whether that’s on purpose or it’s from memory loss/tampering— or maybe both?

Regardless he’s a liar. He’s riddled with guilt. All sorts of guilt. He feels immense guilt even in things he could not control or had no hand in.

And it makes him so interesting. He’s guilty he’s not guilty. He’s a liar he’s a victim. He’s tortured he’s tampered with he’s lost and confused —

I just love Louis.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[charactervocal02]

why must people suffer so much. i want to become someone who can shelter every wounded and damaged soul

[vinelark]

khoa & tim fake uncle postfic

because i’m thinking about tim’s fake uncle again and because i’m also thinking about ghostbat: au (loosely inspired by this) set during tim’s early robin era where tim does a version of the Fake Uncle thing, which coincides with minhkhoa khan sneaking into town to spy on bruce.

the thing is, khoa has been off the grid for a while and just learned about jason--both that bruce got another kid, and that said kid had a fatal run-in with the joker. bruce had told khoa to stay out of gotham years ago, but khoa isn’t about to let that stop him once he catches up on the news and pieces together bruce’s grief spiral that only recent calmed down with the appearance of a new robin. a new robin who is, conveniently, posting a veiled job offer for an? uncle?? on the internet, and doing it entirely on his own.

so khoa fashions himself a fake struggling-but-not-too-struggling actor identity and lands himself the position of tim drake's uncle. it’s a perfect way to peek at bruce’s life while flying under the radar, because this tim kid is very eager to keep his fake uncle as separate from bruce as possible. khoa expects to be in and out of this job in a month, maybe two, as soon as he’s sure bruce is stable and not going to crumble because bruce cares so much and khoa knows it’ll be his undoing one day and—anyway. it’s a temporary gig. the kid’ll have to come up with a cover story when khoa inevitably disappears, but that’s not khoa’s problem. and tim probably shouldn’t be making up fake relatives anyway, so khoa will be teaching him a valuable lesson. (the lesson: always make sure you have collateral on someone before trusting them. you’re welcome for the parenting help, bruce!)

except. it’s not so easy to leave.

after just two weeks khoa starts realizing that:

tim is bonkers

like, off the wall bonkers

and brilliant

bad combo, khoa knows from experience

tim desperately cares about bruce and dick and alfred

but does not see himself as part of the family (hence the fake uncle thing)

khoa also realizes that tim keeps secretly patching himself up at home (because he’s downplaying any injuries after patrols) and eventually khoa is like. “okay. i don’t care what happened*, but you do have to stitch that up properly. my fake self can’t be in trouble for child endangerment.” and he patches up a surprised and wary tim. this becomes a routine.

*(khoa knows what happened, he was stalking batman on patrol that night. like most nights.)

ANYWAY. basically what i’m saying is: identity shenanigans where bruce’s ex is lurking around gotham pretending to be tim’s uncle and tim doesn’t know about the ex thing and bruce doesn’t know about the uncle being fake thing and everyone is keeping secrets from each other. and khoa goes from “this is a convenient way to spy on bruce” to “if anything happens to this unhinged baby robin i will kill everyone in this room and then myself” and ends up co-parenting tim without bruce realizing.

also in between having concerning realizations about tim’s self-preservation skills and spying on bruce, khoa finds time to have fun with it. like imagine a parent-teacher conference at tim’s school. the school calls bruce to schedule because his contact info is still on file from when tim was staying with him. but obviously khoa catches wind of this and decides to also turn up, in full uncle disguise, and spends the whole time fucking with bruce and having a blast.

like bruce was kind of checked out last year when the conferences happened and now he’s starting to claw out of his grief enough to be present and engaged. especially now that tim is staying with his “uncle” bruce is like wait. wait. and is trying to make more of an effort, so he shows up to the conference. and then at the conference khoa is just lounging in his chair like, “tim fell asleep in class? good for him, i’ve been telling him to get more sleep” and bruce is trying to be Even Better Dad to compensate while his eye is just constantly twitching.

[parent-teacher conference shenanigans with contributions from @cairoscene, @90kon, & @mammutblog:]

teacher: i won't sugar coat it, tim is very nearly failing literature

khoa: ah. a ridiculous subject anyway.

teacher: i notice tim is very... isolated. he doesn't seem to engage much with his peers, even when they try to initiate conversations with him

khoa: well children are idiots, i don't blame him

teacher: tim got in a fight—

khoa: did he win?

khoa: oh tim’s getting an A in science? we should celebrate. i’ll take him to get ice cream for dinner. we usually do that anyway but this time he can have extra sprinkles

bruce: that’s not— [deep breath] in my experience tim has trouble remembering to eat a balanced diet when left to his own devices, which is important to his growth at this age.

khoa: yeah of course. that’s why sometimes we get frozen yogurt instead

bruce: tim is lactose intolerant

khoa: [pulls out a packet of lactaid] i know

anyway!! after a bunch of shenanigans and awkward actually-taking-care-of-tim moments, something big happens where bruce and tim are in deep trouble and khoa breaks cover to burst in and rescue both batman & robin and all secrets come out. tim is shocked that he didn’t figure out who khoa was (in tim’s defense, he’s had a Lot going on) and bruce is soooo mad he didn’t see through the disguise, but also bruce is. grateful. that khoa has been there for tim, especially when khoa finally gets to do a full “get your head out of your ass” rant about the various ways tim has been pretending to be way more okay than he is.

khoa: if you’re going to CARE about people so much the least you can do is! pay attention to them!! this kid is your problem, act like it!

bruce: sounds like he might be Our problem now

khoa: only because i don’t trust you to get the job done 😤

(ALSO because khoa is literally there to lurk and observe he notices the league slipping into gotham and they end up rescuing a resurrected jason early.)

anyway i just think the concept of khoa being tim’s deus ex machina adult is so fun. like tim is on some international mission with young justice and it seems like all hope is lost and then freaking ghost-maker swans in and takes out all the enemies and gives tim a whole rant about How Is Bruce Letting You Run Around Like This, Does He Know What You’re Getting Up To In Your Spare Time, Where Even Is He. the vibe is ghost-maker dropping a (carefully patched up) robin on wayne manor doorstep with a sticky note on tim’s forehead reading TAKE BETTER CARE OF YOUR THINGS.

(bonus au of this au from aubrey where bruce DOES see through khoa’s disguise:

Tim: Bruce, this is my uncle--

Bruce: ANTON?!

Khoa: 😘

Tim: oh my god DID YOU FUCK MY FAKE UNCLE, BRUCE?)

also please look at this khoa and tim art again for the vibes

[vivitalks]

man. derek is such an interesting character in season 1, especially when you can look at him through the lens of having seen the whole show, because he's like an unreliable narrator for scott, even though he's not a narrator for the show.

the thing is, derek in season 1 is the primary vehicle for werewolf lore. as new viewers, we're reliant on his character to explain to us the rules and conceits of the genre, but once you've seen the whole show, that role is no longer necessary. but for scott, in season 1, derek is the sole source of werewolf intel. derek is werewolf jesus. which means that everything scott initially learns about being a werewolf is filtered through the Derek Hale Trauma Matrix, and neither of them know it.

for example: in 1x05, derek tells scott that pain is what keeps you human (which is a mantra that gets repeated and referenced a ton over the course of the rest of the show). scott has been a werewolf for all of five seconds, and has no choice but to take the word of this obviously much more knowledgeable werewolf. in that way, derek operates as a kind of narrator for scott, giving him information and context he couldn't really get any other way. but it's unreliable info. don't get me wrong - derek isn't trying to be an unreliable narrator; he's not aware of how much his life experience has colored his understanding of his own species. it's just that...well...derek is a twenty-something with the kind of trauma that eats other trauma for breakfast. of course he would say that pain is what keeps you human. at this point in the show, pain is all he has.

this is the same guy who, in the next episode, says this:

DEREK: You getting angry? That's your first lesson. You want to learn how to control this, how to shift-- you do it through anger, by tapping into a primal animal rage, and you can't do that with her around. SCOTT: [defensively] I can get angry. DEREK: Not angry enough. This is the only way that I can teach you.

except we know, and scott quickly learns (in that very same episode, in fact), that this isn't true. anger doesn't work for everyone, and it doesn't work for scott, who's not an angry person. the things that work for derek won't work for all werewolves - but how would derek know that? he's never had to teach someone to be a werewolf before. he's not actually werewolf jesus.

to scott, derek is the only trustworthy source of information on being a werewolf, because he's the only werewolf scott knows. and from derek's perspective, everything he knows about being a werewolf must be true, because it's true for him. derek is the narrator, and it's only as his backstory unfolds that the viewers, and scott, learn just how much his history and trauma have obscured the reality of things, even for derek himself.

pain is not what makes you human. it's what makes derek human. because the moments in derek's life that stand out to him most are all tinged with tragedy. mercy killing his high school girlfriend. losing his entire family in a house fire. the death of his sister. for derek, to be human is to be in pain, and to be angry about that is the only way to be in control. after all, he doesn't have anyone teaching him otherwise.

[revacholian-girl-utena]

My soul is puny.

Alt text: Screencaps from Revolutionary Girl Utena with overlaid text. 1: Young Saionji watches in horror as Touga opens the coffin in the church. Text: At the core, you're a very banal person,

2: Closeup of young Saionji clutching his head and screaming. Text: with a very small soul.

3: Closeup of Saionji's empty hands when he drops his sword after hurting Touga. Text: One you should be *ashamed* of.

4: Touga and Saionji's silhouettes as children at kendo practice. Touga is holding Saionji's hand and Saionji is looking up at him. The background is a warm sunset. Text: It's no wonder the soft one doesn't want it back.

5: Touga's silhouette standing by the incinerator. Text: It was right to abandon you... End alt text

[buckingham-ashtray]

The Invisible Clubber........................ SMILING. CAN'T STOP SMILING. LIFE SO HAPPY. LOVE. LOVE LIFE. BEAT GETTING FASTER. CAN'T STOP SMILING. NOW JUST HARMONY. NO BEAT. MELODY. STOP MOVING. SMILE TO THE SKY. ALL STANDING STILL. BEAUTIFUL. NEVER BEEN SUCH HARMONY IN ALL HISTORY. WANT TO KISS EVERYONE. THEY WANT TO KISS ME. BREATHE IN. BREATHE OUT.................

Sebastian's Story.......... Sometimes I wonder what it'll be like to die. I'll find myself drifting off, staring at something, anything and I'll stop blinking. I feel my whole body slowing down... My heartbeat... And I wonder how long it'll be broken

*Sorry that I couldn't find the source where I got this from and have no idea when this was released. If anyone has the link I will be very glad to insert it!

[chamomiletealeaf]

Alex Keller is a thigh man. He loves your thighs more than anything good god.

[t-u-i-t-c]

@userdramas ♢ event 17: plot twist ♢ │ kento's return

"The future has already been decided." "That can't be true."

[unprotectedmechs]

gentle licking and nibbling while cuddling that turns into swallowing them whole like a snake

[mettywiththenotes]

I know this is like a distant detail in the wake of everything going on, but I hope we get Gran Torino admitting he was wrong. About telling All Might to leave the Shimura thing be, about not investigating it himself when AFO revealed it, about telling Izuku that killing Tomura was also an option

Because imagine Gran Torino seeing Tomura after he's been saved. Imagine him seeing Tomura get the help he needs. Imagine him watching and realizing that in a world where Izuku had listened and killed him instead, it can't be compared to the sight before him - of Nana's only surviving family having a chance to finally be happy and have people show him the worth in his life, just as she would have wanted

Gran Torino watching a child hero determined to save a too-far-gone villain, only to realize afterwards that maybe he was never that far gone at all. It just took hope and effort and an understanding that doing wrong doesn't make you a villain for the rest of your life, that there's the slightest chance things could change if you just reach out. And maybe being "too far gone" isn't an absolute, an excuse to take the easy route and go home, but a challenge instead

[altschmerzes]

Gav, do you have anymore wriggle up on dry land holiday thoughts to share? I've been thinking non stop about the snippets you posted, the idea of the holiday season being a bit of a jolt to Jamie's standing in his new family unit in his own mind is haunting me

oh yeah i think about this sorta thing ALLLLLL THE TIME it's like... i haven't thought too much about holidays in particular but things like that being a jolt to jamie's standing in his new family unit in his own mind is a great way to put it. it's deeply destabilizing for him every time he encounters something like that, something that makes him think about it and ask himself those questions directly - who am i to them, what is my place here, how long will it last, how much can i take, how much say do i get, etc.

and a BIG one in there is uncle's day, actually, speaking of holidays :) bc i'm keeping that part from season 3 though it's obviously a little different.

this is from when i was talking to another friend (thanks to @jamietxrtt this time, another prominent and beloved enabler of me generally and this au in particular) about the way that like. roy has a hard time with referring to james as jamie's dad when he's thinking about the man at all, because in his mind, that's ted now, and that's something ted earned. (and it's a little bit roy, too. there's a whole like- he's not Jamie's Dad the way that ted is but he very much is Jamie's Parent, and the distinction is a little odd and difficult to articulate but it's very similar to how he feels about phoebe, he's not her dad but he is her parent, etc. but it's still like...... when he thinks about what a father, what a dad ought to be, he feels that inside himself more than he could ever give it to james.)

which led to like. phoebe is the one who articulates this better and before anyone else can, and that's part of the uncle's day thing, which happens when jamie is seventeen and has been living with ted (and has had a room at roy's) for going on a year. when phoebe and sarah are arranging it, phoebe insists jamie has to come, because “he’s your uncle roy too” and jamie is like :? he is not.

and she sighs and rolls her eyes like little kids do when they think you’re being dense, and she’s like noooo i don’t mean he’s your UNCLE but he’s your UNCLE ROY just like he’s my uncle AND he’s my uncle roy and jamie is like. you’re gonna have to explain this one to me in a lot more words half pint.

and she sighs again and goes well. some kids at my school have a mummy and a daddy or two mummies or two daddies or just a mummy or just a daddy or one of my friends has a mummy and a parent - she pronounces this very deliberately - which is cool. AND my friend cecily has THREE mums and a dad because HER parents got DIVORCED and then they both got married again so she has FOUR parents which is NOT FAIR. anyways. i don’t have a mummy and a daddy or any of that. i have a mummy and an uncle roy. he isn’t my daddy but he’s my uncle roy, get it? and jamie nods bc he thinks he actually does get it yes.

and she goes okay. so you’ve got a daddy. that’s coach ted. but you’ve also got uncle roy. because he’s not your daddy and he’s not your uncle but he’s your uncle roy. get it?

and jamie, who is just about on the verge of tears now, nods again because yeah. He Gets It Now.

[werewolfoffeverswamp]

there’s something so alluring about the idea of living in a perpetual horror movie to me. like a time loop. specifically a paranormal one where you could never make it out alive. in the same sense of “heaven is a place where nothing really happens” (from the talking heads song Heaven), being trapped in a story where there’s only one ending and you suffer through whatever horrors are laid out for you (but they are laid out exactly as they are and always will be, and they are laid out for YOU) sounds like. morbidly peaceful. no need to worry what happens next, you already know. and you’ve done it a hundred times. of course you’re in pain but it’s intimately familiar and maybe you don’t even register your suffering anymore. and you’re not preoccupied by your performance in this dance anymore either— it feels like whatever you do, the same events occur, but you’re an actor in a story and you never had free will to begin with. anyways. it just sounds kind of nice 👍